Series 4.15 – Where to Start with the Books of Gor – Part 2: Saga in Stages: Phases of the Gorean Journey – Stage 2

Though the Gorean saga is one long continuum, it’s helpful to break it into phases, each with its own focus and feel. Here’s a roadmap of the journey, with light spoilers (I won’t ruin major twists, only set the stage):

2. Broadening Horizons & Deeper Themes (Books 7–13): New Perspectives on Gor

Key books: Captive of Gor (7), Hunters of Gor (8), Marauders of Gor (9), Tribesmen of Gor (10), Slave Girl of Gor (11), Beasts of Gor (12), Explorers of Gor (13).

By Book 7, Norman does something unexpected that first-time readers should be aware of: he shifts the narrative voice away from Tarl. Captive of Gor is told from the perspective of Elinor Brinton, a wealthy and headstrong young woman from Earth who is abducted and sold as a slave on Gor . This is our first immersive look at Gor through a woman’s eyes, and it’s eye-opening. Elinor’s journey – from a proud, independent modern woman to a collared “kajira” desperately coming to terms with submission – is meant to illustrate the Gorean view of natural order between the sexes. We witness her struggle, humiliation, and eventually her awakening to a new identity in bondage. For readers, this can be challenging material (it is a story of forced enslavement), but it’s also crucial in understanding the saga’s philosophy. Captive dispels any notion that “only evil women get enslaved” – Elinor is not evil, she’s average in many ways, and Norman uses her to argue (controversially) that many women, stripped of society’s pretenses, would naturally become loving, devoted slaves. The book is also an adventure in its own right – Elinor is dragged through the forests, sold at market, and entangled in the rivalries of warrior societies – but its main contribution is psychological. From here on, female POV books appear periodically, giving newcomers a fuller picture of Gorean life (and providing, frankly, a lot of the erotic content the series is infamous for).

Meanwhile, Tarl’s saga continues in Books 8–10, and these novels push him (and us) into new regions of Gor far from the central cities. In Hunters of Gor, Tarl returns as the narrator and ventures into the Northern Forests to track down a band of panther girls – rogue free women who live wild and resist male rule. This story is notable for introducing the idea that not all women on Gor are acquiescent; some fight violently to remain free (though Norman suggests even these fierce panther girls secretly crave a strong master). The novel combines a cat-and-mouse hunt through the woods with intrigue involving agents of the Kurii (we see Kurii plotting in the background more and more). Marauders of Gor is often cited as a fan favorite for its depiction of Torvaldsland, Gor’s Viking-like northlands. Tarl sails to the cold coasts and lives among the jarls (lords) and thralls of Torvaldsland, experiencing their mead-halls, longships, and brutal raids. This book is pivotal for Tarl’s internal journey – amidst the rough Northern code, he fully embraces the Gorean ethos. At one point, he famously declares, “I am Gorean.” This identity turning point marks the culmination of the gradual change we saw since Book 1: Tarl Cabot now thinks and behaves as a Gorean man of his era, not a man of Earth. (For new readers, it’s a powerful moment – you realize you too have come to understand Gor’s values enough that this statement feels natural rather than shocking.)

After claiming his Gorean identity in Torvaldsland, Tarl in Tribesmen of Gor heads to the opposite extreme of climate – the Tahari Desert in the deep south. This novel reads like a desert adventure (imagine tribal raids, a quest for a legendary oasis, and dangers like sandstorms and assassins). It also introduces the Kurii in disguise on Gor’s surface – a shadowy Kur agent meddles in the Tahari conflict, reminding us the aliens’ schemes are advancing. By the end of Tribesmen, most of Gor’s major cultural zones have been covered: the civilized Central cities, the far North, the far South, the sea and wilderness in between. Norman has essentially completed a grand tour of his world geography and firmly established the series’ central theme of natural hierarchy (everywhere Tarl goes, he finds societies built on dominance in one form or another).

Interspersed in this phase is another female POV tale: Slave Girl of Gor (Book 11). Here we follow Judy Thornton, yet another Earth woman turned slave, who ends up in the remote city of Besnit and later in the infamous city of Port Kar during a major event. Through Judy’s eyes, we get detailed daily-life accounts of Gorean slavery – from training and branding to the complex emotions a once-free woman experiences as she begins to “find herself” in submission. Notably, Judy’s story ties into a broader Kurii plot (there’s intrigue about a planned invasion, which she inadvertently witnesses). For a newcomer, Book 11 can be a dark read – it contains non-consensual enslavement and graphic “slave breakdown” scenes – but it underscores a philosophical point: the books claim that a slave, once she surrenders fully, finds a profound joy and freedom in her submission that free women lack . It’s an idea many will reject, but it’s central to Gorean ideology (and later in this guide we’ll talk about separating that fantasy from real-life values).

Beasts of Gor (Book 12) and Explorers of Gor (Book 13) close out this phase by escalating the conflict with the Kurii. In Beasts, Tarl travels to the polar north (the “Pole Lands”) where he encounters the “Red Hunters” (analogous to Inuit) and finally the Kurii in the flesh. This book has almost a sci-fi horror vibe at times – in the icy wastelands, Kurii beasts and high-tech facilities appear, and Tarl witnesses just how dangerous these aliens are (including some biological experiments they’ve been conducting). Explorers of Gor then swings to the opposite pole – the steaming jungles near the equator, where Tarl leads an expedition down the Ua River to seek out lost Lake Ushindi and the secret of strange silver discs. This is a jungle trek filled with peril (cannibal tribes, monster reptiles, disease) and also reveals Kurii meddling in the form of a devastating discovery (no spoilers, but it’s something that raises the stakes for the upcoming war). By the end of Book 13, the series has transformed from its humble beginnings: what started as a personal adventure has morphed into a planetary saga. Tarl is now a seasoned Gorean hero who has rallied allies from many cultures and survived encounters with alien foes. Philosophically, Norman has moved from just showing Gorean life to examining it – we’ve seen various Gorean societies and how each interprets the “natural order” slightly differently, but all uphold it in some form.

At this point, a newcomer might pause to reflect: reading up through Book 13 is a substantial journey (~13 novels!), but it rewards you with a comprehensive grasp of Gor’s world. You will have seen Gor through the eyes of both a man and multiple women, across cultures. Many readers consider the first 13 books the core of “classic Gor” , after which the series takes some new directions. It’s also worth noting an external factor: these books (especially 7–13) were published in the 1970s, a time when Norman was increasingly explicit about his ideas on gender. As the stories progressed, the sexual content and philosophical digressions increased . By Book 13, you’ll have likely encountered lengthy dialogues about the differences between men and women, critiques of Earth’s “weakening” societal norms, and detailed master-slave interactions that go far beyond the tame flirtations of Book 1. If you found those elements intriguing rather than off-putting, you’re probably eager to continue. If you struggled with them, you might choose to focus on the adventure aspects or even skip ahead to see how things conclude (though you’d miss context).

I wish you well!

©2026 – Written by Azrael Phoenix

You can read the full set of articles of this Series here:


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